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Main Thing You Look at with Growth?

🕑 Added 2024-09-19 19:57:27 +0000 UTC

Comments

Abazaba

Yeah, it is all in the details. Even one panel can sell a lot of emotion. Also if you have a small crew that you repeat with. Each smaller piece can add to an over all collection of story and emotion. Especially if you put someone in the background witnessing someone else grow. Having their thoughts or commenting about what they are seeing. Then adding to it when or if it happens to them. Personally, I am more for the shy and unwilling. If not that then someone who doesn't mind the process, but is ruining a favorite outfit or clothes, or possibly doesn't mind but doesn't want to outgrow their clothes in public. Also keep in mind how expensive clothes for women can get. Even a welling fitting bra can be a few hundred dollars. A woman growing out of what looks like a simple outfit might be very expensive. Shoes, bras, blouses can be surprisingly expensive. So even taking out the emotional aspect, just the literal cost can be a devastating factor. Add that to finding a well fitting one, especially for women outside of standard sizes. The destruction of a garment can be like a death of a friend/pet. Something I think goes too under valued by many an artist/creator.

Abazaba

I second this

Big Blue (Growthslut)

Other: Facial expressions, reactions to inanimate objects, like ripping clothes or pushing furniture aside, etc... it's the process of the growth, but also the surroundings failing to adapt/contain the person growing, and their reactions to the process, especially willing/unwilling scenarios. 💙💗

Autumn_Storm

I voted for boobs initially, but then I changed my answer to "everything", because really, the feeling is much more complicated than that. It all comes together in the composition. Really, you can make anything work; confident giantess, shy giantess, embarrassed giantess, angry giantess, lusty giantess. There's no right answer, it's about showing your work. If she's shy, sell it to me. Show me her hiding her growth, avoiding people, stammering nervously and blushing. If she's embarrassed, I want to see her trying to cover herself up as she outgrows her clothes, I want to see onlookers catching glimpses of things they weren't supposed to see. If she's confident, I want to feel it. I want her to exude a presence of dominance and self-assuredness. Upright posture, no shame, letting onlookers look if they want, make them flinch. So on, and so on. And framing, angles, body language, expressions, and little details matter a lot more than people give them credit for. They are all absolutely crucial when it comes to separating the okay, from the great. What I'm really driving at it, I want to be able to immerse myself in the scenario. I want to people to picture myself there; what it would look like, what it would feel like, to be in that world I could never visit myself. The better a job you do of selling me on your vision; of making me FEEL the way you want me to feel, the better it is.