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Social Media Trends: Adapting Art Techniques for the Video Era (Process +File)
🕑 Added 2023-08-16 16:10:46 +0000 UTCHey Everyone!
Some thoughts about my last animation, "Iguana".
While I'm pondering ways to improve my reach on social media, I've noticed a current shift towards videos on platforms like Instagram and, recently, X (Twitter). I assume this is largely due to competitors like TikTok. I'm constantly considering how I can deliver quality animated art, which seems quite challenging. In my opinion, life is a war; you either adapt or you die. With this in mind, I've been brainstorming ways to introduce new animated content, and this recent piece was a step in that direction.
The overall approach to this process is quite similar to what I've been sharing with you lately, but multiplied by 8. In other words, in the files I've been sharing, you'll find a composition with several layers distributed among line art, color, values, and details that correspond to a single character. However, since animation is a sequence of images, this latest piece split into 8 different frames, each with its unique set of lines, colors, values, and details.
You might wonder, why this method? The traditional approach to 2D animation involves creating clear concept art detailing character design (shapes, colors, values, details). Animators then create a series of drawings, working towards a proper sequence, then clean up the lines well enough for other professionals to apply the colors and values from the concept. I believe they use a tool similar to the Paint Bucket Tool in Photoshop to expedite the process. It's efficient, given the need to color and detail a vast number of frames.
On the other hand, besides basic colors and a few shadows, I lean into a somewhat messier and intricate detailing process, which, although potentially unnecessary, is aesthetically pleasing in my view. Consequently, I'm still refining how I transition the procedures I usually employ in illustration into a more efficient treatment for my animations. I'm optimistic about reaching that level soon, but it requires thoughtful strategizing to streamline the process without losing the distinct feel of my work.
I appreciate your patience when perusing this file and the process video, as some elements might seem unnecessarily convoluted. Remember, I'm still an aspiring animator, so this is a learning curve for me.
My animation approach begins with a clear vision of the final look using only line art. A significant part of my process, which you'll notice in the video, focuses on shaping the character and refining lines before adding movement. I then strategize on how to animate the character in an engaging yet simple way, avoiding redrawing the entire figure (a common practice among animators). Given the detailed nature of my line art, reproducing it multiple times would be tedious, a concession large productions often make to expedite their workflow.
At the outset, the character was depicted singing, necessitating that element. Additionally, with the character playing the guitar, animating the hands became essential. As I worked around these aspects, I introduced added layers of complexity, slightly adjusting the posture of the arms, neck, and body. While I don't always have a precise frame count in mind, my aim is simplicity, perhaps starting with three key frames and then adding a few in-betweens to ensure fluidity. A handy technique involves duplicating the initial drawing thrice and tweaking it to encapsulate the desired motion. I encourage you to watch the video for a more detailed breakdown.
Once satisfied with the line art animation, I move to defining colors, values, and details for each frame. I then duplicate this layer group and tweak it for every frame. While this method might not seem the most efficient, it was my best solution at that moment.
Adjusting the animation was arguably more enjoyable than the initial drawing. If you're inspired to try something similar, I'd recommend starting with a straightforward concept, as the process can quickly become overwhelming. Should you find any of these tips beneficial and decide to give it a shot, don't hesitate to tag me when sharing. I'd love to see your creations!
Conclusion
While adept drawing skills are indispensable for animation, a significant amount of patience is equally vital. Will I cease illustrating and pivot exclusively to animation? I doubt it, but it's always invigorating to explore new avenues and stay prepared for the ever-evolving content landscape.
P.S. When you open the PSD and are unfamiliar with "smart objects," double-click the layer. This action will reveal a secondary file teeming with additional layers, providing a deeper exploration.
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Comments
Ramon Nuñez
🤝
Octavio Sosa
This is pretty amazing, thank you for sharing!
