Jake Lizzio
patreon
Post Your Questions HERE For Tomorrow's Live Lesson
🕑 Added 2022-07-19 01:21:00 +0000 UTCTomorrow night at 9PM CST I'll be going live to answer your questions - You know the routine! If you have a question, post it below and I'll prepare an answer. I answer the questions in the order that they are recieved. If your question involves a piece of music, or a link, you might want to email me your attachments to signalsmusicjake@gmail.com but please ALSO leave a question here.
I'll post a link to the stream before it begins, and as always, the stream will be viewable afterwards. Ask away!
Comments
Lusk Luther
Hi Jake here are my question 1. What's the best way to use tensions and resolutions in perspective both in melody and chords ? With perspective of both melody and chords. 2.What does it mean when someone says a particular note in a chord resolves to another chord. ? Example chords 6ths 13ths 11ths etc.
Chase Bethersonton
Last time, you showed me how modes / keys can be ambiguous until the song reveals what they are. Now I am wondering the reverse.... If we are in a particular key / mode, are there certain tricks that definitively change that key / mode, and other tricks that don't? For example, if I'm using a v chord, I have most likely left my Ionian mode (at least for the moment). But if I use a secondary dominant, N6 or N7 chord, neighboring notes / chords, etc, then would it make sense that I am using tricks that are not the same as modulating or borrowing a mode? I could be using notes outside of my jurisdiction, but they haven't changed anything in the song structure....?? Thanks so much for your awesome help!!
