CaptainDisillusion
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Production Blog: Rough Cut
🕑 Added 2015-08-13 17:47:32 +0000 UTC In the last 2 days I turned 1 hr 40 mins of footage into an 8-minute rough cut of the episode.This is simply an edit that decides all the performance takes and timing. Sort of a backbone for the video. There are no effects and everything is very raw and mismatched. But it's a good early indicator of what works and what doesn't. The decisions I make here will affect how the completed video will feel despite all the bells and whistles of the finishing process.
I usually start by assembling all the material in somewhat chronological sequence of the story and sometimes color-code different types of footage for more intuitive navigation. In this case it's:
- Maroon - regular shots in the red room
- Light Green - Lauren's greenscreen shots
- Dark Green - my greenscreen shots
- Purple - 'Million Date Challenge' scenes
- Pink - B-roll cutaways of the 'MDC' set
The gaps in the rough cut are where animated debunking segments will go. I estimated their length by just reading the voiceover lines in the script and playing through the edit to see how much of a gap to leave for each.
As I write this, I just finished recording the voiceovers. After lunch I'll edit them and insert them into the gaps in the edit, to lock the exact final timing. Then it's onto the countless visual effects shots...
Comments
Captain Disillusion
I've never really seen it taught anywhere, but I find colors super helpful. I switch what I use them for from project to project. On a multi-camera shoot, I assign different colors to different cameras. On a documentary, I use a color for each interviewee. Sometimes I temporarily set a bright color to a source clip to quickly see every spot where's being used in a long edit. All my projects look like a tie dye shirt.
Michael Krehan
Should I feel stupid for never even thinking about color-coding clips? This is genius. That, or it's the most obvious thing in the world and I'm an idiot.
