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Giant Days 49: John pencils, Max inks

🕑 Added 2020-07-29 15:24:04 +0000 UTC
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks
Giant Days 49: John pencils, Max inks

Comments

I love the idea that it might be for "emotional emphasis", you ascribe a level of sophistication to me that I don't think I possess. The magenta drawings are on a separate layer, I usually use that technique when two characters interact in a tricky way, so I don't end up erasing half of one figure trying to get the second one right. Sometimes I just need to move a figure around in relation to another so I put them on a different layer, for the same reason.

Eric Logan

Can I ask a process question? Why are some of the character pencils in magenta instead of orange? I thought it might be for character disambiguation or emotional emphasis, but that doesn't seem to be consistently true.

Steve Jeffery

You're not wrong but to borrow a phrase from Fry and Laurie, dammit John! That hit me right in the feels all over again. Esther and The Boy (arguably, albeit tenuously, now The Man), what a tale for the ages. Thank you, to you and to Max.


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