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【缚世绘】《金牛尤物献瑞》
🕑 Added 2021-02-21 13:11:34 +0000 UTC 介绍牌文/label text: 《金牛尤物献瑞》 匿名艺术家/铜和女体/2021 竞拍底价: ¥6,600,000 此件位藏品为本馆镇馆之宝。 公元2021年为中国传统农历辛丑牛年。此作将精湛的制铜工艺和曼妙女体的生命力完美结合，从而诞生出此独一无二的迎春吉祥物。作品金属部分取材优质黄铜，采用业界大师级制铜工艺，具备浑厚的光泽和金属原有的厚重感。贯穿女体的真皮拘束带结实且富有韧性，包裹四肢和上身的漆胶也是上等工艺制品，膝盖与肘部和铜肢衔接处均完美贴合，衔接部分可用暗锁解锁分离，方便女体在非展示状态下的的私用功能。 THE OX MAIDEN MASCOT Anonymous artist/bronze and female body/2021 Auction reserve price: $980,000 This work is the signature piece for our collection. 2021 is the year of ox according to the traditional Chinese lunar calendar. With a perfect combination of the mastery of traditional bronze making, and the warmth and liveliness of an exquisite female body, a unique Chinese New Year mascot is thus born. The metal part of this work is made out of quality bronze, crafted with a masterful technique which highlights the material’s original metallic beauty. The harness belts that run through the body are made of authentic ox-skin that is durable and ductile. the latex that encloses the four limbs and the upper body also features the top-level craftsmanship. The junction points where the knees and the elbows meet the metal ox limbs are crafted for a seamless contact. In addition, hidden locks located inside the metal casings can be released to allow the body to be uninstalled from its display setting for personal uses. _____________________________________________ 故事/story： 辛丑牛年新春之际，某位神秘人物的豪华私人藏馆宣布开放，诸多社会名流和显贵人士都纷纷前去参观。当然，这位人物的私藏展览只是为节后的藏品竞拍会做个预热，展馆中所有的藏品均标上了底价参与竞拍，其中也包括了这件镇馆之宝。 在一个充斥着红色灯光的独立展厅内，吊顶展示灯照耀着房间正中央的一件“雕塑”。观众们无不被眼前的景象所震撼，有些观众似乎是因为第一次欣赏这样的艺术品，难免为目光中这位被严密拘束的裸体少女弄得有些难为情。然而，少许的害臊之后，这些观众也最终加入到其他的看客中，围绕着展台慢慢来回踱步，想要从所有可能的角度仔细端详和欣赏这件旷世绝伦的佳作。展厅内鸦雀无声，看客们忙于观赏；而灯光下的少女口中的镂空雕花口球却剥夺了她发声的权利。她只能用很不自然的方式以极小的幅度时而扭动自己娇嫩的身躯，支撑着她的铜牛四肢永远保持着纹丝不动。少女全身最自由的部位就是她的头部了，她可以转动自己的脖子环顾四周，但颈部每次细小的运动都会牵动脖颈上的铜铃叮当作响，引来四周目光的额外关注。于是，尽管再不情愿，被羞耻感淹没的她唯一能做的就是尽量保持不动，假想自己此刻已经和下面的铜肢融为一体。不过被口球强迫张开的双颌却止不住口水形成的银丝慢慢在胸前拉长、滴在袒露的敏感的乳房和身下的铜板上，下体的爱液也在不争气地分泌，和口水一起在铜板上不规律地滴答作响。在一轮又一轮的观赏目光的洗礼下，眼前这位鲜活的少女不论是在看客的眼光中还是她自己的内心，都渐渐在放下最后一丝对作为“人”的倔强，真正成为了一件令人夸赞甚至想要把玩的艺术收藏。 In the time of Chinese Spring festival, a special exhibition featuring a mysterious person’s personal collections is announced open. Many upper-class and invited guests all eagerly go to visit. However, this exhibition is merely a warm-up for the auction which will take place later after the holiday. Every displayed collection is labeled with a starting price and will be for bidding during the auction. Inside a separate gallery, red lights fill up the space. In the middle of the exhibition room, a “sculpture” is brightly lit. All the guests are awed by the displayed work of art, while some who perhaps have never seen a work like such feel quite embarrassed for seeing a tightly bound nude girl displayed in such an unusual manner. However, despite the initial uncomfortable reaction, they will eventually join others to slowly walk around the work and start appreciating this signature collection from all angles possible. It is almost deadly quiet here in the room, as the viewers are all busy looking instead of talking. As for the girl herself, the tightly-fit ballgag with an intricately carved hollow design has deprived her right for making any voice understandable by human ears. She could wiggle her exquisite body in some unnatural and subtle ways, while the bronze ox limbs which serve as the supports for her entire weight remains absolute still. Perhaps the only movable part of her body is from her neck up. She could always move her head around to observe her surroundings. But every movement regardless how subtle of her neck would trigger the bell hanging from her choker to ring, attracting some extra attentions from the audience around. Therefore although being reluctant to accept, the girl, overwhelmed by shame and embarrassment, can only seek an illusional comfort by trying to maintain her body’s stillness, pretending that she has become one with her metal support. However, the ballgag in her mouth cannot stop her from drooling. She can do nothing to stop the drool from slowly reaching the sensitive skin of her fully exposed pair of breasts, and eventually the bronze plate underneath. Somehow her most delicate part from behind is also involuntarily secreting more and more fluids which make some harmonious dripping sounds with her drooling saliva on the metal surface. Bathing in the gaze of rounds and rounds of viewers, the last defense for her humanity starts to crumble in the displayed girl’s own mind. Eventually both the audience and herself will accept the fact that she has indeed become nothing but a displayed work of art for view, or even use.
