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Gold (Full-size + Process steps)

🕑 Added 2021-05-09 05:43:34 +0000 UTC

Comments

GUWEIZ

Thank you for the question, I think as always, the underlying principle is to capture from big to small. Firstly, the big shapes such as the hair and silhouette come first, followed by slightly smaller things, such as eye/eyebrow shape and size. As I also use a simplified style (compared to photos and reality), I can get away with just showing a few obvious similarities and allow viewer imagination to do the rest. Of course the clothes/pose also help add to that sense of familiarity.

Dany Kurniawan

Guweiz, i want to ask. How you make the model face always similar to other in different pose. I mean, people can feel that is the same person. I always have hard time to make character face looks same but in different pose, angle or situation. Any advice teacher?

She reminds me of Anya Taylor Joy! I love it, it’s like a late night meet up after an infiltration mission.

GUWEIZ

Of course, I use reference whenever I feel like the pose is not looking right or just to check how things should look :)

GUWEIZ

Yes of course! If you have the skills to model a complex scene in 3D first, it can help a lot during the painting process. (In fact it is probably something I need to look into as well) However, at the same time, you also need to be careful of mistakes/stiffness in the 3D model continuing onto the painting.

Glaiyn

Guweiz, i wanted to ask something too pls :p, do you think it's a good idea to use 3D to like, do the poses, and put some props for your scene ? other than finding ref everywhere, you can model it like a sketch in 3D en render the lighting and use it as a base for your painting ? what do you think of this process ? if you have an opinion !

Do you use references for your poses?