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The Prince of the Nile 2 - WorkDoc
🕑 Added 2017-10-02 07:09:34 +0000 UTCAn officer and a gentleman
After a visit to the museum for a short history recap, Lawrence sets sail for Egypt. On the deck of the R.M.S Leviathan, he meets Second Officer Alex. It’s the beginning of a beautiful friendship. Later that evening, he received a note from him. It’s an invitation for a second meeting, at a quiet place, somewhere else on board the luxurious ocean liner.
NOTE: You can download a PDF version of this WorkDoc at the bottom of this post. This was made by Andrea, and you can find a complete version of his beautiful project on the Priapus Encyclopedia page.
This second chapter gave me the opportunity to explore the settings of such a ship from the golden age of travel. I know this isn’t exactly what you’ve signed up for, sorry for that! - but I couldn’t resist the chance to use a few models I have been working on for a long time. By adding lots of characters and details, I tried to capture some of the style and splendour of those magnificent vessels from the beginning of the 20th century.
However, to get a real sense of such a steamer, one should have a look at the Titanic, Honour, and Glory project, where a team of game developers is doing a magnificent job in making an entire digital reconstruction of that (in)famous ship. They even provide a free demo, where you can explore sections of the corridors, staircases, and rooms. The details are marvellous, and it really gives you a sense of the enormous scale and luxury of the ship. No wonder that the most expensive first-class ticket amounted to $4.350. That’s more than $ 50.000 in today’s value! No small price of five days on the high seas, but live music during the sinking was included. (www.titanichg.com)
The beginning of the 20th century was also the golden age for the emerging tobacco industry. Advertisements from those days prescribe cigarettes against dangerous throat irritations and coughing, suggesting that chain smokers would live happily and healthily forever after. In the first brief encounter of the officer and the gentleman, I wanted to catch something of that long-gone glamour of romantic smoking. Interesting to notice is that nowadays, to smoke a fag is becoming more of a taboo than being a fag. It seems that some things really are changing for the better...
For the ship itself, I used a very basic, Free3D model of the Titanic. By reducing its size and adding lots of details, the ocean steamer looks realistic enough for the purpose of this story. The Smoking Room, Grand Staircase and Promenade Deck are extended versions of the DAZ Originals. The bathroom is based on the Art Nouveau Bathroom by David Brinnen.
Perhaps historically not very accurate, but the curved lines of the bathroom break the somewhat rigid Edwardian style of the original Olympic-class ocean liners. The artworks of the young naked bathers I used in the background are by the English impressionist Henry Scott Tuke. Although they are contemporary, I’m not sure that they would have been used to decorate the first-class resting rooms at that time.
To normalise the marginal
The illustrations in the magazine that the bellboy is reading are by the Mexican artist Felix D’Eon. I have been admiring his work for many years, and his wonderful drawings seem to fit the story perfectly. You can find all about his work on his blog.
"He is enraptured by various art-historical styles, such as Edwardian fashion and children's book illustration, golden-era American comics, and Japanese Edo printmaking. In his work, he attempts to make the illusion of antiquity complete, using antique papers and careful research as to costume, set, and style. His goal is perfect verisimilitude. He subverts their "wholesome" image and harnesses their style to a vision of gay love and sensibility. D'Eon treats vintage illustrative styles as a rhetorical strategy, using their language of romance, economic power, and aesthetic sensibility as a tool with which to tell stories of historically oppressed and marginalized queer communities. By painting images of queer love, seduction, sex, and romance, the gay subject is stripped of its taboo nature. Unlike artists such as Tom of Finland, whose work is a celebration of the outlaw status of queer sexuality, d'Eon's work seeks to normalise the marginal and place the heretofore taboo subject at the centre, through the use of the rhetorical styles of the historically empowered and mainstream. In the artist's work, the illustrative imagery of the past does not cease to be wholesome through the inclusion of gay sex and sensibilities. He simply expands the notion of what wholesome is, erasing shame, and celebrating desire."
Chapter 1 - A Passage to Egypt
Part two of the series narrates the adventures of an explorer in search of the mysterious Prince of the Nile. It’s the beginning of the 20th century, a time of great explorations and discoveries, a world of decadence, and the golden age of travel. The world is still a place of mystery and adventure, the Near East a garden of seduction and delights. With passage to Egypt, the young explorer starts a priapic journey into a sensual culture in the land of the Pharaohs.
The first part of the story ends when the Prince of the Nile is escorted by three muscular priests into a lavishly decorated room with a large monumental bed. It’s here that the prince is initiated into the ancient mystery cult of the god Min, the god of reproduction, the creator of all things, “the maker of gods and man”. This virile monarch would become a potent ruler, bringing peace and prosperity to the kingdom of the Nile.
In part, two centuries have passed, and the splendour of the ancient Egyptian world has faded into oblivion. Its monuments crumbled to dus,t and its many treasures lay buried in the desert. History became myth, the prince became a legend, his phallic cult a rumour. Eventually, his name fell silent, waiting to be spoken again. For it's the Book of the Dead that says: “speak my name and I shall live”. But beware, for “with my name comes my spell” and “the eternal force of Min will be unleashed and many seeds will flow upon you".
A passage to Egypt
Part two begins in the British Museum, and as the Prince in the first chapter, the new hero has a grand entrance in the opening scene. This time, we follow a young explorer (Lawrence) and just a few days before his departure for Egypt, he has a meeting with the curator of Egyptian antiquities, hoping to find some additional information on a forgotten prince he has been investigating.
The keeper is able to provide some interesting details about a strange erotic ritual involving the prince and once his name - inscribed on a royal cartouche with a phallic hieroglyph - is spoken out loud by both men, a mysterious spell seems to be unleashed. Lawrence is possessed by a sudden feeling he never had before, the desire for another man!
Exotic places for exciting adventures
This episode sets the stage for the series. The plot is still somewhat vague in my mind, but I have plenty of ideas for all sorts of adventures within this context. I’ve been collecting materials for the journey on an ocean liner, the streets of Cairo, bazaar and souq, an oasis, the hammam and harem, temple ruins, and of course the setting in ancient Egypt itself. Plenty of stuff to work with and enough exotic places for exciting adventures.
The historical settings in the ancient world and early 1900s are an extra challenge, but I think it gives a wonderful opportunity to create a real “Edwardian” costume drama, with all its nostalgic nonsense and romantic silliness.
The Arrow collar style
My main inspiration for the style and fashion for this project is the beautiful illustrations by J. C. Leyendecker and the delightful comic books by Edgar P. Jacobs.
Leyendecker’s name is nearly forgotten, but he was one of the preeminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, and his numerous covers for The Saturday Evening Post (322 in total!). He virtually invented the whole idea of modern magazine design, and his work dominated advertising in the 1920s, during the Golden Age of American Illustration.
He was one of the creators of the legendary “Arrow Collar Man”, a highly successful campaign for shirts and collars during the period 1905-31. The fictional Arrow collar man became iconic in the 1920s and launched one of America’s first recognizable sex symbols. Leyendecker’s men were often modelled after his lover and lifetime companion, Charles Beach, making their secret romance a front-page feature across the country for decades.
His composition and technique are sublime, his models - although often somewhat aloof and decadent - are always stylish and magnificent.
Leyendecker was an example for Norman Rockwell, and his fictional world of affluence and beauty influenced the fantastic settings of F. Scott Fitzgerald’s “The Great Gatsby.” In a more modern and explicit setting, the characters of Leyendecker are still clearly recognizable in the work of Benoit Prévot.
Edgar P. Jacobs was a Belgian comic book creator and was one of the founding fathers of the European comics movement, best known for his series of Blake and Mortimer. His adventures are always staged like an opera, beautifully drawn, with much attention to dramatic development, costumes, stage design, and settings. The characters are always smartly dressed, elegant, and subtle in movement. Something very hard to achieve with just a few lines. His unique virtuosity became even more noticeable after his death when new books were published by two separate teams of artists and writers. Although very well executed, the new editions are sometimes somewhat painful to read.
My favourite books are The Yellow "M” and, of course, The Mystery of the Great Pyramid. It won’t be too difficult to find its influence on my current project.
Related sections of this project:
Chapters
The Prince of the Nile 1 - The Museum
The Prince of the Nile 2 - An Officer and a Gentleman
The Prince of the Nile 3 - The Sphinx of Cairo
The Prince of the Nile 4 - Fata Morgana
Back to Collections or Index Page
Comments
Priapus of Milet
Thanks for your kind comments and I'll keep your suggestions in mind! :o)
Ben
Being a storyteller myself - I marvel at your care to simple details and your passion for making your settings interesting. One suggestion- you don’t really get close up on the ass very much, show it being worked or rimmed with up close or ever fingered or fisted. Showing the anus opened or hungry for penetration like Patrick Fillion does would be something to see with your skills. Otherwise you’re a master artist as far as I’m concerned. 👍🏼👍🏼
Priapus of Milet
Thanks!
Donald
Impressive research. I now realize why I like your meticulous work so much.
Priapus of Milet
Sorry to hear that and I'll try to improve the navigation. Unfortunately there's only so much I can do with the tools that Patreon provides, but pleas let me know what I can do to make it more transparent.
CNorris
Trying to figure out this website is unnecessarily difficult
Priapus of Milet
Well, I intend to make shorter chapters on different locations. So the hero will have numerous adventures in the main story frame, or something like that....
Joël
Hi. I also adore Edgar P. Jacobs. A long story begins off, to captivate us several months (years?). Great work.
