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Chapter 41: A Library of Ambitions

🕑 Added 2024-12-13 16:38:18 +0000 UTC
Chapter 41: A Library of Ambitions

Comments

Gabriel Melnik

Half of Europe owed Cosimo money. Shit went to the gutter with his dynasty after his death mostly thanks to having a sick eldest son and a youngest poised for actually inheriting the family business named Giovanni that died early if I'm not mistaken. Another point of interest is that there is another story called black corporation: Joseon that covers an alternate history as the eldest son of Seojong the great. That novel fell off a bit after they won a war against china because the author made a change of focus from Asia to Europe without changing the mannerisms the people had when speaking, and when the machine translations came it was kind of shit having an Italian talking with poorly translated Korean euphemisms, methaphoras and dialects. The man made translation was done by a translation group called blossom translation that went up until chapter 405 before it got took down, those being the cream of the crop for reading the book. It could throw some shade on what you already covering because the author of said book also did a lot of historical research, just becoming kind of leaky after going to Europe.

Ben Robbins

It was an inspired idea. I hadn't remembered that Cosimo was around at this time.

RENAISSANSE SI

Note: While researching Constantine’s journey through Italy, I couldn’t resist including Cosimo de’ Medici as a central figure. His historical role as a patron of the arts, literature, and philosophy made him a natural fit for a story exploring the transformative power of the printing press. Cosimo was renowned for his love of books—he personally financed expeditions across Europe and beyond to collect manuscripts and is credited with founding the first public library in Florence. Beyond his passion for literature, Cosimo’s deep involvement in Renaissance humanism and his pivotal influence in shaping Florence as a cultural and intellectual hub resonated strongly with the themes of this narrative. Given his immense interest in manuscripts and his willingness to support innovations in the dissemination of knowledge, it’s easy to imagine him eagerly embracing Constantine’s printing presses and the revolutionary potential they represent. By weaving Cosimo into the story, I hoped to highlight the shared ambition between a Byzantine despot and a Florentine banker to preserve and spread knowledge. Their fictional partnership reflects the historical reality of how Renaissance patrons like Cosimo laid the groundwork for the flourishing of ideas that would shape Europe for centuries to come.


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