EMPIRE REWRITTEN
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Book II / Chapter 40: We Keep the River
🕑 Added 2025-09-02 00:26:51 +0000 UTCHeptapyrgion, Thessaloniki.
Lime dust coated the tongue. The rope rasped through the pulley; stone met mortar with a sigh. Arethas and Stylianos leaned until their arms trembled, then sat a moment on the half course, knees aching.
Stylianos’s nose was white with dust; when he grinned, the creases showed sharp.
“Your village,” he said, nodding toward the haze inland. “Past the olives, before the hills? They pasted the posters there, too?”
“At the well wall,” Arethas said. “The paste was crooked. I fixed it.” He kept the small pride out of his voice poorly. “The one with the crown and the blade. Ieros Skopos clear as church letters.”
Stylianos crossed himself quickly. “Our captain read it out in camp, said God wants the Empire free again. Said it like a prayer.” He wiped dust from his face, leaving a pale line. “You still sleeping down in the camp?”
“When there’s space on the rolls, they’ll move us.”
“We’ve got houses now,” Stylianos said. “Upper city. Real roofs.” He grinned. “They put us in the old Ottoman ones. The sergeant next door kicks the wall when we sing, says we sound like oxen.” He laughed. “He’s not wrong.”
Arethas huffed, half a laugh, half a breath. “May your roof not leak.”
A boot fell across their work. Antonios, short, broad-shouldered, hair cropped so close the scalp shone. His jaw was built for argument, his hands steady. A tally-stick hung at his belt.
“Rest on your own time,” he said. He tapped the stone with his knuckles. “This course goes up before terce. Officers will be trained in these rooms, walls, and guns, not hymn books. Recruitment starts soon, so the shell stands first. We’re back on schedule. Keep it that way.”
Stylianos was on his feet already. “We’ve got the line, Antonios.”
“You’ve got it when I can walk it without catching my boot,” Antonios said. He nodded toward the lower yard, where men in striped caps rolled barrels that smelled of charcoal and new iron. “The mint’s running. Pay’s good weight. That doesn’t buy anyone the right to drag their feet. Domokos and Edessa weren’t for nothing. When this school opens, I’ll be in the first file, captain before my hair’s gone.”
Stylianos bit back a grin. Arethas kept his eyes level.
Antonios’s gaze cut to Arethas. “You read and write?”
“I do.”
“Good. Take the board.” He gave a short nod toward the chalk slate on the barrel, marked up with Sphrantzes’s figures. “Call the marks. East corner needs another finger of mortar. Letters don’t lift stone, they just keep it straight.”
He was already walking away. “Wedges. Mortar. String. Move.”
They moved. Arethas wiped his hands on his tunic and read the chalk while Stylianos set the wedges.
“I’m putting in for the school,” Arethas said when the scrape and slap of work left room for words.
Stylianos snorted dust. “You? Fresh boots, soft beard? They’ll take the Edessa men, the Domokos men, the ones with scars.”
“The board says any man can try,” Arethas said. “Reading and writing favored. The trials will be hard enough to break the weak and shame the foolish. Pay’s good, if you last.”
He thought of his uncle’s thin hand, ink on the fingers, guiding his own around a pen. Third sons didn’t get houses. They had to make their own way.
“Favored,” Stylianos said. He spat dust. “Favored till a captain’s cousin coughs.”
“The board said no buying places,” Arethas answered. He kept his tone flat. “If the rope’s straight, everyone climbs it the same.”
Stylianos hefted a wedge, and the grin came back, lopsided and kind. “You wish, then. Better work. Saint Demetrios, keep your shoulders. Maybe you’ll have me running stairs twice for laughing.”
“Maybe I’ll stand behind the gun that keeps your head on,” Arethas said.
The bell at Saint Demetrios tolled the hour, iron slow and solemn down the hill. Both men crossed themselves without looking at each other. In the breath after the last stroke, the city paused; lime dust hung; somewhere the harbor chain sighed oil. Then a trumpet sounded near, bright and clear.
Stylianos’s head came up, a boy again for a heartbeat. “Hear?”
The yard knew before they did: a runner’s shout, men tugging carts aside to open a path, a spear‑butt tapped twice on stone. Down by the inner gate, a standard lifted, the double‑headed eagle catching the thin sun, and hooves began to speak on cobble up the throat of the Heptapyrgion.
A door on the far side opened. George Sphrantzes stepped out, sleeves rolled, ink on the edge of one hand, talking low to a clerk who trotted to keep up. He glanced toward the sound, and the yard around him tightened without being told.
Stylianos breathed out, dust making little clouds. “The Emperor,” he said, like naming the weather. “He’s back.”
Arethas set his palm to the rope again. The stone waited; the line was the line. The trumpet’s note stayed in his ribs after it stopped, a bright edge laid along a straight thing.
“Lift,” he said. And they did.
The office held the day’s heat. Outside, chisels still worked at the gate tower; inside, the lamp smoked and the air smelled of oil. The board was streaked with chalk squares — done, promised, in hand — each line smudged by use.
Constantine closed a folio with two fingers. “The sluice is cleared,” he said evenly. “The wheel runs. The cupels breathe. Kantakouzenos did good work.”
George Sphrantzes’s quill hovered, then came to rest. “Good,” he said. “A silver spine.”
He untied a thinner packet, a wisp of cotton knotted into its thong. “Another matter. regarding Halkidiki.” He slid a scrap forward, a farmer’s hand, neat for a farmer, listing rents and fields. “The Ormylia plain is heavy with cotton, east of the city. Agios Sozon in particular. Trikala too, in Thessaly. More than enough to cover our paper needs. We can stop counting rag ships like beggars count loaves. Maybe even export.”
Constantine’s mouth made the shape of a smile without showing it. “Mines and cotton,” he said. “Thessaloniki becomes a better bargain by the hour. Gold, silver, grain and paper. We’ll feed our own presses and the works besides.”
“It will take time,” George said, careful as a man lowering a pot into a hearth. “Vats, molds, water rights, millstones, ink kettles set properly. And” He tapped another folio. “The sums. I have the final needs, with Theophilus’s latest from Glarentza.”
“How is Theophilus?” Constantine asked at once, the interruption like a hand on a bridle.
“As he ever is,” George said. “Keeps a tight schedule, keeps a tighter purse. Counts the cost until it squeals. Complains that bronze eats more coin than meat.” Affection moved under the dryness. “But his numbers hold when you test them.”
“And the numbers say?”
George turned the page and did not add flourishes. “If we mean to finish what we set for this year, walls, garrisons, mint, new recruits, the harbor works, paper vats, we lack not less than one hundred thousand ducats.”
Constantine sat back. The lamp’s smoke drew a thin line over his head toward the window. “Too much,” he said. “We can’t eat every feast at once. Priorities.”
George nodded. “Walls and bread first. Pay that holds its weight. Everything else can wait its turn.”
Silence took a turn around the room. Outside, a cart wheel complained and was answered by a hammer. Constantine’s thumb found the edge of the board where it was splintered smooth.
“What if,” he said, and the words came slowly because he had weighed them already, “we sell presses.”
George looked up, not understanding at first. “Books?”
“The presses themselves,” Constantine said. “And the way to build them. A set to Venice. A set to the Medici. One to Burgundy. Perhaps more. We keep the Papacy editions. We keep our own Morean editions and bookstores. We sell the rest dear. We can spare a dozen or so ”
“You would give away our richest vein,” George said, flat, the way a man repeats a price to be sure he heard it.
“We will not keep it hidden forever,” Constantine answered. “Every clever Venetian is already squinting at our frames with his hands in his sleeves. A bright enough craftsman will contrive his own bed and screw from sight alone, if he hasn’t begun. We showed too much in Glarentza. Better we set the price of the sunrise than wait to be paid in shadows.”
George’s quill had found its place behind his ear again. He did not speak. Constantine went on, talking more to the chalk squares than to the man.
“With plenty of cotton now in hand, we will make paper that doesn’t tear under a thumb. Our ink holds like a vow. Let them buy presses; they will still need paper and black. We can sell them that until their grandchildren die.”
George’s mouth tugged, unwilling and then not. “You would teach them the strike and keep the die,” he said.
Constantine’s eyes flicked to him once, grateful. “Just so.”
“At what price?” George asked, and now he was counting forward, not back.
“Four packages to begin,” Constantine said. “A full set each: frame, beds, blocks, and a manual writ plain enough that a stubborn man can follow it. Twenty thousand apiece.”
“Eighty,” George said, already putting the coins into the empty square in his head and seeing them not quite fill it. “We bind them to buy paper and ink from us as part of the bargain.”
“They will buy regardless if they hope to match our books,” Constantine said. “Let the binding sit in their need, not on parchment. We set a good price for the black and the sheets; we deliver on time; no one else will match the weight or the color. They will come to us by the path of their own profit.”
George tipped his head. “Then we must have the vats turning and the ink kettles ready before their second shipments are due, or they’ll be the ones teaching us.”
“We will,” Constantine said. He did not say how; the lamp made a line of smoke that pointed to the door. “Draft letters. Venice to the Doge, Florence to the Medici. Burgundy, Jean will carry it to his duke faster than any courier. Add France. Genoa. Milan, Naples. Tell them presses are for sale, limited in number, first-come, first-served. Rome is not for the asking.”
George’s quill was already scratching: To Venice… To Florence… To Dijon… The sound had the steadiness of a man walking a familiar road with a heavier pack than last week’s.
Constantine watched his hand move. For a moment he pictured letters spreading north along roads and rivers, carried from city to city. Shops would open in new places, presses ticking like clocks, words moving faster than any messenger could ride. He wondered how quickly the world would learn to read itself, and whether that would make his work easier or only louder.
“Let’s—” he began, then stopped, measuring the weight of what he meant to sell. “Let us take our profit while the secret is still ours, drown their silence with our pages before they learn to speak.”
George looked up, one brow a question. Constantine almost smiled. “Flood the markets,” he said, low, as if the phrase might startle the lamp.
George’s mouth formed a line that could be a sign of approval or worry. “I’ll have the drafts in Latin before midnight. You will want your hand at the end of them.”
“I will,” Constantine said. He stood, felt the ache in his knees that a day on stone gives a man, and laid his palm on the black board where promised waited for chalk. “We sell the presses,” he said. “We keep the river.”
For a moment he saw the other life he had worn like a borrowed coat: the years as a booksales executive, ledger under his arm, salt in the air, coaxing saints’ lives and almanacs onto ships, haggling with factors about routes, schedules, and damp. Pages into coin; coin into more pages. The work had not changed, only the scale. Flood the channels before anyone else learned the trick.
Outside, the chisels struck a different rhythm as the next shift took over. Inside, the lamp flickered and steadied. George sanded the first letter, blew the dust away, and the room filled again with the ordinary sounds of a city at work.
Comments
RENAISSANSE SI
Really glad you picked up on all that! You’re spot on, as always, haha! Constantine knows the clock is ticking, so the move is about staying ahead, not clinging to an advantage that can’t last. And yes, the mint is central, honest weight is what turns coin into trust, and trust into something bigger!
RENAISSANSE SI
Exactly, better to ride the wave than be drowned by it. And yes, the beginnings of something like an academy are definitely taking shape!
RENAISSANSE SI
Haha, exactly, old habits die hard!
RENAISSANSE SI
Thank you!
RENAISSANSE SI
Haha, good thoughts! Let’s see what else Constantine has up his sleeve, plenty more changes are on the way.
RENAISSANSE SI
Ohh! I thought the chapters were automatically added to the Book Two collection, but looks like I misclicked something? It’s fixed now. The wiki chapter on Edessa is coming soon. I am deep in research for the second half of Book Two, and that’s taking most of my time at the moment.
Kirra
Nice chapter! I am wondering when the collections for Book Two will be fully updated (28 out of 40) and when we can expect to see a wiki chapter about the battle at Edessa.
de la Fouchardiere
Next up, modernized looms ? if they havn't been invented yet. And no, not power looms, but still better. There has got to be some pretty simple process that just wasn't know about that could be implemented. Crop rotation ? Some basic fertilizers ?
pls don't ban me
it's ERE not APPLE
Gabriel Melnik
20 thousand ducats a set ain't cheap though.
pls don't ban me
the pope won't like that he doesn't get the printing press. another thing. make an agreement about who publishes what. like greek classicals are exclusive to the ERE or like that.
Hugo23
Smart, Constantine escapes the trap that made dozens if not hundreds of printers go bankrupt. Never assume you always have the advantage and always assume someone wants to catch up. Venice and the Papacy has seen too much, at this point probably three merchants and two cardinals are trying to make a press. A solid chapter to show how his ideals are spreading. A worker who knows how to read? Have a test that shows you the truth and him that the house exists, all he needs to do is knock. It also does an excellent job of showing how the mint is really helping his cause. Gold in hand, marked with his face, guaranteed payment because you know it exists. More than anything else it takes buy in to create a nation-state/empire and the Mint lets Constantine draw in all the villages and towns in the area in and commit to his system. EDIT: I also had to add I really enjoy how you kept specifying the mint is at an honest weight. To the modern eye/ear that saying makes no sense until you realize that inflation wasn't in CPU screens but in purity of metal from an official mint.
Vuk Stefanovic
Nice one , thanks for the chapter
Sir Baka
Aye nice. Admittedly, I do feel like he could’ve kept the technology a little longer, but being able to sell the presses at a considerable mark up would be valuable. Hmm… though I wonder if he could squeeze a little more value by selling the presses and a crew for lease or rent, and set up essentially printing franchises. He already sold the idea of bookstores, right? Though Im also curious, maybe I had forgotten but would Byzantine paper and ink really be of such superior quality that they would be picked over local workshops? I might need to read back to see if they have some sort of advantage in that field, since I feel like it really might not be enough. Every country has got to have their own local workshops, surely they can’t be that bad that spending thousands of ducats importing is a better option? Though it certainly wouldn’t be a kingdom building story if he didn’t craft some sort of advantage for himself actually. Wonder what he’ll pull off next. Flooding the market with cheap wood pulp paper sure would be one hell of a move.
fosfato
Will Constantine put a chip in the presses so no one use unauthorized ink and paper? 😉
russell marsh
Well it wasn't going to stay secret forever the fact that it's still a secret now is a miracle. Butter get ahead of the wave before the flood. And I see the begging of an officer academy nice his very on West Point nice Duty, Honor, Country
Velyndin1989
Constantine wants to do what computer printer manufacturers have done for the past two decades: sell the printer for cheap but charge out the nose for paper and ink. How ironic.
ThePolarParadox
Constantine the Salesman finally makes his move.
Ben Robbins
Great chapter. Sell them as widely as possible. You have a poetic way with prose that I've only rarely encountered.
RENAISSANSE SI
Thank you!
Elaine
good chappie
