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The Puzzle Box - 2.17

🕑 Added 2025-05-27 14:00:14 +0000 UTC

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Arkennys

This chapter derails the story pretty hard, I'm sad. I found this today, and I was instantly hooked. It has a wonderful start that made me invested in Ivy and her home very fast. When I got to the end of the free chapters on royal road and saw that the rest of the arc is up here, I immediately joined Patreon. This work is more than good enough for me to want to support its continued creation, and I was super excited to see the payoff for the detective arc. I don't think there is a single chapter that doesn't have some variation of telling us that Ivy is powerful, competent, skilled at fights, and just generally strong and awesome. We are in her PoV, so in hindsight I guess the point is that it's all an unreliable narrator, and joke's on me for buying into that premise at face value. The final bit of introspection confirms it. Fair enough, I guess, but now I don't know that I like Ivy all that much. We have two arcs, she has one chance to properly show off in both, and she fails spectacularly both times. In the first arc, getting goaded into the Delve without any gear, then failing to notice or care about that the child she is escorting is taking on none of her warnings was bad enough. It's horrifically unprofessional and makes her look incompetent or negligent; perhaps both. However, I could write several paragraphs on why it makes sense *narratively*. Just to give some examples, as a by no means exhaustive list: it's a good tutorial Delve to introduce the concept to readers, it's a good setup for their relationship, it's a way to make a shallow and young Delve pose at least a little bit of a threat without having to de-power Ivy too much, and much more. Combined with the insight into her mental state and the circumstances, I had no trouble accepting that she let her useless lesbian brain overwhelm her experienced Delver brain. I don't need to spell out her mistakes here: she lists a good chunk of them at the end, and the smaller details she misses are not that important. Suffice it to say, after failing twice in a row in the introductory chapters of what I expect will be a longer story, she looks like a pathetic loser now. I no longer trust any of the statements regarding her abilities up to this point, and I legitimately question how she could become a two thousand march Delver like this. It feels borderline like a retroactive plot hole. I thought this would be the story of a strong and capable woman dealing with a large conspiracy that puts her considerable talents to the test; instead, now we will need a lot of page time that shows her progress from a useless idiot to someone worthwhile. I don't see the point of giving her a backstory that would nominally suggest competence, only for the plot to strip that from her straight away as a setup for what is an almost coming-of-age-esque growth arc. I have less than zero confidence in her ability to solve the problems of the city, given the implied level of organisation, knowledge, and resources of the cabal; not without spending time working on herself. There are far too few stories with a qualified adult as the protagonist; I figured this was one, but Ivy going two for two at being comically ineffective puts this back into almost feeling like a YA thing. How old is she supposed to be? I thought it's something like 25, but when the chips are down, she performs like a 16-year-old. To be explicitly clear: the point isn't how much mana she has, how hard she can punch, or anything like that. It's about her intelligence, mindset, expertise, experience, and such. All of this disappointment comes from this singular chapter, that unavoidably carves her flaws into stone. If this one chapter gave her even a partial win and thus avoided her well-deserved self-recrimination, the whole mood of the work and the character would change. Perspective and context are supremely important, and her far sub-par display at the climax of the arc shifts the entire story significantly. Helena is a compelling character, with a lot of narrative potential, and seeing her person and relationship with Ivy develop are both key points of interest. In my clearly deeply flawed assumption of Ivy starting off as a mature, established expert, who can remain comparatively static thanks to having already developed before we join the story, I thought Helena's role would be to serve as the character who grows and changes the most, with guidance and support from Ivy. This chapter also does Helena a massive disservice, however. Helena is not consciously malicious, but she is not a good person either. Her flaws are rather ordinary, not like she is Evil or anything like that, but even so, she's kind of a shitty child. Given her rather mundane shortcomings, calling for redemption is too much, but she needs something in that general direction. A key aspect for change like that, which I think too many stories miss, is an inherent, intrinsic realisation of one's issues and a desire for improvement. All of which should come at a cost, or at least not be compelled by third parties. Simply: if the Evil Overlord is defeated, his powers sealed, his armies scattered, and taken captive by the Good Guys, him deciding to change sides and join the party at that point is not impressive. Circumstances forcing someone to do better is not the same as a person sincerely deciding to be better. Even without giving her a PoV chapter, or a huge amount of page time, we can already understand much about Helena's background, why she is like this, and how she could be better. As I said, she doesn't even need a full redemption arc; her transgressions are largely harmless. She is in an ideal position for growth, to become a very likeable deuteragonist. However, she needs that first spark of clarity, to take ownership of her mistakes, and to gain that drive for improvement. She doesn't have it yet. Half an hour before the arc ends, she is still fully on her bullshit. The existence of the secret passage - with the further clues it reveals - is the keystone piece of evidence that ties the case together; the single most important clue. Despite seemingly making a commitment to helping solve the case, she still conceals this. Thanks to the detectives' work, it makes no practical difference, but her reaction when she stumbles out of the office proves she wasn't aware that they already have this information. Her claims of wanting to help and offering honesty were false, and she kept making the same mistake as before. If anything, pretending to assist while keeping the truly relevant facts to herself is even more insulting. Ivy claims not to trust her, but opening the Manor to her as a "temporary" residence is a huge softening, and a massive opportunity for Helena to gain further favour. We can understand why Ivy makes this decision - she sees Helena as a victim of the church she hates and therefore sympathises with her situation. The problem is, Helena not only does not earn this consideration in any way, but her behaviour during the arc should serve to reinforce her duplicity and unreliability more than anything else. Ivy should hold a more negative opinion of her now than at the end of arc one. By painting Helena as a deeply hurt victim who is in a bad situation, the story lets Ivy's relationship progress with her in a way that's wholly undeserved. She has made absolutely no decision to be better or change her behaviour; she was hurt by her own poor choices and is now getting actively rewarded for them. She isn't choosing Ivy over the church on principle or because she realised something; she is still every bit a user, who is just benefitting of Ivy's naive (or possibly horny) kindness when her situation in her chosen family becomes miserable. This structurally undercuts any further progress. Even if living together and interacting more lets Helena and Ivy get closer, and perhaps even allows Helena to actually grow as a person, the foundation is rotten. If fifty chapters from now she has become someone worthy of respect, we will always know that she was forced into it by circumstance, and didn't get there out of any true personal strength of character. This is why I think this direction does a disservice to her, narratively. It removes her own agency in her character arc, when she has the potential to be so much more. This is a shortcut in her development that cuts out what is perhaps the single most important aspect: true, independent, internal motivation to change.


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