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Rube Goldberg Explains How Gasoline Becomes Engine Power: "Something for Nothing" 1940 Chevrolet Division, General Motors
🕑 Added 2019-07-29 05:12:08 +0000 UTCmore at http://quickfound.net/
WITH THE HELP OF RUBE GOLDBERG, THE PICTURE PROVES THAT WE CAN'T GET SOMETHING FOR NOTHING. THAT IS, TO GET POWER OUT OF AN ENGINE, YOU HAVE TO PUT FUEL IN. HOWEVER, MODERN ENGINES ARE DESIGNED TO CONSERVE FUEL & DELIVER FULL POWER ON EVERY STROKE.
Produced by Jam Handy.
Originally a public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
https://en.wikipedia.org/wiki/Rube_Goldberg
Wikipedia license: http://creativecommons.org/licenses/by-sa/3.0/
Reuben Garrett Lucius Goldberg (July 4, 1883 – December 7, 1970), known best as Rube Goldberg, was an American cartoonist, sculptor, author, engineer, and inventor.
Goldberg is best known for his popular cartoons depicting complicated gadgets performing simple tasks in indirect, convoluted ways. The cartoons led to the expression "Rube Goldberg machines" to describe similar gadgets and processes. Goldberg received many honors in his lifetime, including a Pulitzer Prize for political cartooning in 1948 and the Banshees' Silver Lady Award in 1959.
Goldberg was a founding member and first president of the National Cartoonists Society, and the namesake of the Reuben Award, which the organization awards to its Cartoonist of the Year. He is the inspiration for international competitions, known as Rube Goldberg Machine Contests, which challenge participants to create a complicated machine to perform a simple task...
Goldberg's father was a San Francisco police and fire commissioner, who encouraged the young Reuben to pursue a career in engineering. Rube graduated from the University of California, Berkeley in 1904 with a degree in Engineering and was hired by the city of San Francisco as an engineer for the Water and Sewers Department. After six months he resigned his position with the city to join the San Francisco Chronicle where he became a sports cartoonist. The following year, he took a job with the San Francisco Bulletin, where he remained until he moved to New York City in 1907, finding employment as a cartoonist with the New York Evening Mail.
The New York Evening Mail was syndicated to the first newspaper syndicate, the McClure Newspaper Syndicate, giving Goldberg's cartoons a wider distribution, and by 1915 he was earning $25,000 per year and being billed by the paper as America's most popular cartoonist. Arthur Brisbane had offered Goldberg $2,600 per year in 1911 in an unsuccessful attempt to get him to move to William Randolph Hearst's newspaper chain, and in 1915 raised the offer to $50,000 per year. Rather than lose Goldberg to Hearst, the New York Evening Mail matched the salary offer and formed the Evening Mail Syndicate to syndicate Goldberg's cartoons nationally.
In 1916, Goldberg created a series of seven short animated films, finding humorous aspects to details of everyday life in the form of an animated newsreel. The seven films were released on these dates in 1916: May 8, The Boob Weekly; May 22, Leap Year; June 5, The Fatal Pie; Jun 19, From Kitchen Mechanic to Movie Star; July 3, Nutty News; July 17, Home Sweet Home; July 31, Losing Weight.
Goldberg was syndicated by the McNaught Syndicate from 1922 until 1934.
A prolific artist, Goldberg produced several cartoon series simultaneously, including Mike and Ike (They Look Alike), Boob McNutt, Foolish Questions, What Are You Kicking About, Telephonies, Lala Palooza, The Weekly Meeting of the Tuesday Women's Club, and the uncharacteristically serious soap-opera strip, Doc Wright, which ran for 10 months beginning January 29, 1933. The cartoons that brought him lasting fame involved a character named Professor Lucifer Gorgonzola Butts. In that series, Goldberg drew labeled schematics of the comical "inventions" that would later bear his name. Professor Butts was based on a couple of college professors he studied with (and found boring) while earning his degree from the College of Mining and Engineering at the University of California from 1901-1903, Samuel B Christie and Frederick Slate.
From 1938 to 1941, Goldberg drew two weekly strips for the Register and Tribune Syndicate: Brad and Dad (1939-1941) and Side Show (1938-1941)...
